5/28/17 Summercamp @ Three Sisters Park - Chillicothe, IL

It's been a week since I attended my 14th Summercamp in a row.  The first two years were the only ones I did not attend in some form.  We live about an hour and fifteen minutes north of the festival site.  To put it in perspective we can drive there without getting on an interstate.  I was told attendance was above 22,000 by Saturday.  Once again my friend Craig came along for the forth year in a row.  Kyle joined us as well this year.  We hit the tobacco shop and Subway on the way.  I've never parked that far away.  Going forward I will likely continue to attend but will not be arriving at noon like we did.  It's just too much hanging around in a field with a bunch of kids.  Admittedly there were times this year were I felt old and over the whole thing.  We got there so early in order to see Umphrey's McGee.  The day started with Illinois act Family Groove Company.  At the merch stand I picked up the Trey Anastasio 2017 tour shirt. 


This was my 157th time seeing Umphrey's McGee. My prime years of seeing this band were 04-07.  The Sunday afternoon set is always relatively safe.  It's tough to make it happen at 2 pm in the blazing heat.  I felt they showed well for themselves though.  This was a cohesive set that showcased songs that would appeal to veteran and new fans.  August in particular had several impressive peaks.  Walletsworth brings me back to the Anchor Drops era.  The Joel Cummins-led ending is one of my favorite parts of any of their songs.  That was my first time hearing Attachments.  There was a lot of energy for a day set and exceeded my expectations. 


I walked over to the Moonshine Stage and was impressed by Railroad Earth.  It started to really heat up.  I'll see them again in August when they play with moe. in Peoria.  This was announced in the festival pamphlet.  I left my folding chair over at the Sunshine Stage most of the day in front of the soundboard.  The highlight of the Yonder Mountain String Band set were the covers of Linda Ronstadt and America.  Allie Kral is doing a great job with that outfit.  She is an artist that I strongly associate with this festival from her years with Cornmeal.  This bluegrass part of the day took it out of me with the hot sun above.  I ended up getting sun burnt.  For dinner I had a pulled pork sandwich that wasn't bad for festival fare. 


Trey played better on this occasion than he did in Michigan three weeks prior.  Gotta Jibboo got the fans dancing.  Sand was the highlight of the show with Trey digging in providing plenty of signature licks.  Soul Rebel and Drifting are two tunes that I didn't catch at the Royal Oak show.  Money, Love and Change was another notable highlight of the first set.  Trey locked into a little phrase and kept returning to it.  I thought about catching local act The Dawn on the camping stage but Trey returned early and started Night Speaks to a Woman.  This was the same placement that I saw three weeks earlier.  Ocelot isn't a tune that necessarily needed to make the transition from Phish.  Valentine was given a little extra treatment.  Plasma was played at a very slow pace and eventually transitioned into Liquid Time.  This included a cover of recently departed Gregg Allman's Midnight Rider.  The next five songs solidified this show as my favorite part of the day.  Dark and Down reminds me of the lightning during the storm Trey played in at this venue a few years prior.  Simple Twist Up Dave was a strong version.  Goodbye Head was well played.  Mr. Completely and First Tube capped off the set.  The encore consisted of Clint Eastwood and Push on Til the Day.  By this point I was walking to the back of the field heading towards moe. when Trey finished his set with the appropriate acappella number The Parting Glass. 


As I walked up to the Moonshine Stage I recognized the opening notes of Tailspin.  This is a good call with the current state of our nation.  I was glad to hear them extend the end and eventually segue into Ricky Marten.  Opium had a sit in by Allie Kral.  This segued into Billy Goat which continued into 32 Things.  The band projected some video footage on the stage and admittedly it was corny.  Akimbo rounded out the set.  I walked over and got a cup of coffee and listened to some of Story of the World, M.E.M.P.H.I.S. from The Disco Biscuits.  I decided buying a funnel cake was a bigger priority. 


I liked how the final set of moe. was a Chromatic Nightmare sandwich.  Lazarus is always welcome.  ATL sounds too much like St. Stephen.  McBain went on a bit long and I was very tired by this point.  I've always thought McBain/George and Skrunk sounded musically related.  The band denies this but I still stand by the original assertion.  Honestly I felt like moe.'s show a year prior on Sunday at Summercamp was a lot better.  This wasn't a bad effort.  I'm glad we went.  The three of us finished out the Plane Crash encore and made the arduous walk from one end of the property to the other where they parked us.  I drove us home with relative ease.  Memorial Day was once again spent recovering.  There was a moment at the festival where I got sad thinking about some of the faces no longer with us.  I guess it's part of getting older.  I'm glad we have a major festival so close and I'll try to continue to support the event.

5/6/17 Trey Anastasio @ Royal Oak Music Theatre - Royal Oak, MI

Let's preface this by saying that I bought this ticket back in 2016 and was working a different job.  Moving forward I won't be driving this far for one show like this.  It was a foolish decision to buy the ticket.  With that said I had nothing better to do.  I had the time and the inclination.  I got the yard mowed on Friday and was ready to go by 11:30 am on Saturday.  It was clear blue skies for most of the day with temps in the fifties.  The drive went smoothly.  I stopped for Wendy's in Paw Paw, MI.  On the way there I saw a billboard for Tim Allen doing standup comedy at a casino.  They still love him up there.  I heard "The Payback" by James Brown on the radio as I was rolling into the Detroit area and that got me amped for the show.  I was pleasantly surprised to find out that Royal Oak was a fairly gentrified suburb of Detroit.  It was easy to find a parking garage near the venue.  The venue was pretty cool besides the TSA style metal detectors.  They did have a little patio for the smokers which filled up quickly during setbreak.  I found a place to dance toward the back of the floor.   The poster with the oak tree and the city behind it captured the suburban setting.  The wood grain reminded me of what we do at work. 


The Sand opener got things going.  I remember Acting the Devil from 01-03 era TAB which was a whole different musical beast than what we currently see.  This version of TAB still grooves but its largely a pop vehicle.  Anastasio's playing was restrained and patient almost to the point of there being a bit too much tension and not enough release.  The band was tight and everyone had their moments.  Cayman Review got me thinking how the self titled Trey album still largely anchors his solo canon.  Magilla seems a bit tired.  I'm not sure Ocelot and Alaska need to be played in the same show with Phish or TAB.  Curlew's Call has always been a favorite from Trey's repertoire.  I could have done without the Hozier cover.  Unless Trey is doing Bowie on Halloween I don't need him putting his guitar down to be a singer.  Dark and Down was one of my favorite parts of the show.  I'll never forget the lightning at Summercamp during that song a few years ago.  Money, Love and Change is a song I can relate to lyrically.  I was glad to hear the new Trey song Everything's Right.  Some of the vocals almost put me in the mind of George Michael.  Last Tube wrapped up a generous 80+ minute first set. 


Night Speaks to a Woman got the show going again and the energy was back to where we left it at the end of the first stanza.  Shine wasn't the direction I'd have gone in that slot.  49 Bye-Byes made the show for me. I was hoping to hear that cover of CSN&Y that they have been doing recently.  I met some friendly people at this show.  Some guys from Cleveland brought up the Cubs and I felt bad for them.  We were lucky not to have blown Game 7.  The next night on 60 Minutes the segment went over exactly what I talked to them about.  Simple Twist Up Dave has long been a song of Trey's solo career that I've liked.  After that I was satisfied with what I'd seen.  The show had been a positive experience so when they started up Bounce I took that as a cue. 


The drive home was a challenge but I got after it.  It was unnerving to see a lot of freshly hit deer in the road.  Michigan has a lot of woods along the interstate.  Not ideal for night driving.  I took a little break at the South Holland Oasis once I crossed back into Illinois.  After some Dunkin' Donuts in Morris I was able to push on and made it home as the sun was coming up.  I pulled into the driveway at 5:55 am on Sunday.  In three weeks I'll be seeing Trey Anastasio again in Chillicothe, IL.

4/8/17 Spafford @ Bottom Lounge - Chicago, IL

For 17 years I was a tourhead that worked.  This year I finally transitioned into being a working man that sees shows.  Since my senior year in high school my biggest priority was seeing as much live music as humanly possible.  No one can really argue that I achieved that goal to the utmost.  What now though?  I am now working a full time job in Davenport.  Replacing my vehicle and eventually moving out are now the focal points for me.  This year I completed my mission of listening to every Phish show that circulates.  If it sounds like I'm closing a chapter its because to an extent I am.  The problem is that you can just turn off an insatiable appetite for that energy that only live music creates.  The answer was Spafford at The Bottom Lounge in Chicago on Saturday April 8th. 


A lot of fans of this music are searching for something new right now.  My favorite bands of the last 20 years have recently publically capped their live activity.  Phish stated 40 shows is their limit each year.  Widespread Panic has set their limit between 20-25 performances annually.  That's semi-retirement.  I'm 35 years old and still ready to rock and roll.  On our way to Nashville last October I discovered a band from Arizona named Spafford.  In November I caught a few songs from them as they opened for Lotus at the Vic in Chicago.  This time they were the headliner.  I drove to Chicago with relative ease stopping at Jimmy John's in Utica.  While I was eating a guy walked in with a shirt featuring Walt and Jesse simply stating The Danger.  Appropriate with Better Call Saul about to return that Monday.  The kid who made my sandwich reminded me of myself when I used to do that stuff.  I have come to appreciate these solo trips to Chicago for music.  It's like a reset button for the mind.  Listening to the radio stations on my way to/fro is half the fun for me at this stage of the game.  This mission had me exiting the Dan Ryan at Lake St. and driving beneath the L tracks to our venue The Bottom Lounge.  I was able to find street parking nearby and immediately met some friendly fans.  I'd seen Mungion last September in Chicago when they opened for moe. at the Concord so I was in no hurry to catch their opening set. 


The Bottom Lounge was a refreshing change of pace regarding Chicago venues.  They respected their patrons and didn't treat us like criminals upon arrival.  I bought the poster at the merch stand with the tortoise chasing the carrot.  Taking the poster out to my vehicle before Spafford started was a veteran move.  I was able to find a spot fairly close to stage.  The band was using mellow PA music to set the mood i.e. "Three Times A Lady" by The Commodores.  I didn't recognize the cover they opened with.  Weasal > Palisades > Weasal was a great start.  I was hoping to hear Slip & Squander.  It's a Bunch works well.  All In was the highlight of the first set.  That was some solid dance music exploration. 


I wasn't as wild about the second set but definitely enjoyed the Electric Taco Stand > Alternate Ending > Electric Taco Stand and the In the Eyes of Thieves.  Also of note was the solo version of Beautiful Day sung by Red Johnson.  Spafford's first set didn't start until 10:45.  So at this juncture it was getting pretty late.  I left before the encore and drove home.  This show had its moments.  Spafford is on the rise and has a lot of potential.   

2/24/17 Lotus @ Orpheum Theatre - Madison, WI

On Friday I saw my first live music of 2017.  There's been a lot of change over the winter.  I left my job in December.  For a month and half I delivered pizza for Happy Joe's in Colona.  I wasn't worried about what the perception people would have.  It was just about moving the story forward.  That brings us to today where I've been hired on at a new full time job.  While this may mean in the short term I have to vamp down on the music it's a positive turn of events.  If I have to change my touring paradigm to achieve a better life then so be it.


Before this show I was feeling somewhat down about my state of affairs.  By the end of this it made me realize there's plenty to look forward to.  That's what a good show can do.  Preshow I grabbed a slice at Pizza Di Roma.  I got rid of my extra tickets before the show.  I've taken the time and the effort to learn the Lotus repertoire.  In my opinion they are on top of the jamtronica acts right now.  This first set at the Orpheum was kind of a statement in my eyes.  The opening act was a British DJ named Jack London (not the author of White Fang) and his buddy on guitar.  During Lotus I saw him in the balcony where we were Rempel side.  He liked my Arsenal jersey.  Inspector Norse > Age of Inexperience was top shelf playing right from the start.  The balcony was probably 3/4 empty so the show was far from sold out.  Hammerstrike explored some womped out terrain with Jesse on the keyboard bass.  Blue Giant has been a favorite of mine ever since I first discovered the band on MySpace.  Sleep When We're Dead has gotten some treatment on this tour. Caywood was a great choice.  Solid selections throughout the first set.  128 was a total banger to end the first stanza.  Incredible set.  Those familiar with the band outside at setbreak were talking about what had just gone down. 


I saw this show with my friend Soren and his girlfriend Melissa.  It was snowing outside at setbreak. Cold Facts indeed.  I prefer Luke when he plays the keys and this is an example of why.  Shimmer > Sid > Shimmer was very well executed.  You could tell it was a band in late tour form but yet had a day off to recover.  Pretty much ideal.   Arupa was a major highlight for me.  I loved the usage of the horizontal lighting strips.  I've Been A Fool was the night's second tune off the new album.  Umbilical Moonrise, Greet the Mind > Moonset > Greet the Mind was impressive.  The band was really tight and were able to turn on a dime when they chose.  All told it was definitely one of the best Lotus shows I've seen.  Disappear into a Blood Red-Sky and What Did I Do Wrong sent us off into the snowy cold Wisconsin evening.  Even though it was snowing I decided to chance the drive home.  This show was good for the soul. 

11/19/16 Mike Gordon @ Majestic Theatre - Madison, WI

On Saturday I got on the road for Wisconsin around 3 pm.  It was very windy but the sun was out.  The day before it felt like winter had arrived.  This was to be the last final music of the year for me.  On the way up I stopped at the rest area at the border and texted my friend Soren.  I stopped by his place in Minona on my way into town and saw him and his girlfriend Melissa.  Soren was born ten days after me and they lived behind our now recently departed old house in Glen Ellyn, IL.  I parked in the Overture Center garage out of familiarity.  Pizza Di Roma was my choice for dinner. 
They had a nice remembrance of Sharon Jones on the Orpheum Theatre marquee.  It was sad to see the encampment of homeless across the street from the State Capital.  They had to be freezing in the 20 degree weather.  This was my first visit to the Majestic Theatre.  I liked the overall vibe of the place.  I found a spot in the balcony with a table and a padded seat.  My location between the speakers provided great sound. 


The setlist was fairly similar in some regards to the show I saw in STL last year.  Horizon Line opened the show.  Cruel World is a Max Creek song they seem to play a lot.  Meat kept the Phish-centric fans happy.  Ether was the highlight of the first set.  They explored a lot of different sonic textures before finally settling into The Long Black Line which ended the first set a little after an hour.  During setbreak it sure hadn't gotten any warmer.  I saw old Dave who is a mainstay at Madison shows as well as Nick Clutter.  Wanding everyone on their way back inside at setbreak in sub-arctic weather seemed excessive. 


I didn't really talk to anyone in the crowd but it was an older demographic.  The usual Madison people were there but it was not a typical college crowd per se.  Mike's band uses Yarmouth Road as a jam vehicle which was interesting.  Daisy Hill Grove and The Field were a bit of a lull.  They got things going again with Say Something which was a highlight for me.  I heard them play Robert Palmer's Looking For Clues in STL last year but it's a great addition to their repetoire.  Mike turns his head from side to side as he's looking for clues.  This led into them bringing out the REEL toy for the crowd on the floor who played along.  How Many People Are You? was my favorite part of the show.  I heard Phish play that at Magnaball and it works well for Mike.  Funky Bitch sent the crowd into the frigid night.  This was one of the best Mike Gordon solo band shows I've seen.  The addition of Robert Walter on keys and John Kimock on drums have been crucial.  After the show I drove home and made it back around 3 am. 
This was my final live music of 2016.  I don't think I need to do these roadtrips as often going forward.  Phish is my favorite live act and other concerts seem a little tame in comparison.  I feel like I crafted a great fall tour this year.  I was able to visit cultural centers like Nashville and Chicago as well as my favorite college towns Ames and Madison.  I'm thankful for the last 17 years of adventure.  I've been pretty lucky. 

11/5/16 Lotus w/ Spafford @ Vic Theatre - Chicago, IL

This show will forever be in the shadow of the Cubs winning the World Series and the parade/rally the day before.  I couldn't believe the amount of traffic on I-55.  The city was happening.  I parked in Bucktown and had Big Al's #1 Italian Beef at the Milwaukee Ave. location.  It was unseasonably warm for early November.  Over the last ten years Lotus has become one of my favorite bands.  I really dig their music but admittedly I feel a bit out of place amongst their younger EDM crowd.  I was glad I was able to catch some of the Spafford opening set.  They are an act on the rise.  The Vic is probably my favorite room in the city all things considered.  The staff was a lot more courteous than the Concord.  I found a spot in the back row of the balcony where I had plenty of room and a place to sit.


Bellwether is an effective opening song.  I am still learning the repertoire but I knew most of the first stanza.  Travel is one that I really enjoy.  Neon Tubes from their Build album was a highlight for me. Anti-Gravity is a tune from the new album that worked well in the live setting.  They had a screen onstage with featured the artist singing the vocals.  Spiritualize is probably their best song and that anchored the first set. 


Cold Facts opened the second set.  I liked hearing that one at Summercamp.  They should have put that on the new album.  Lucid Awakening is classic Lotus.  Mike Rempel is an incredible guitar player and he really shines on that one.  Kesey Seed came next.  Move Too Fast also featured the woman on the screen singing the vocal samples.  Rempel was a wildman during Intro a Cell on guitar.  Absolute shredding.  By this point it was getting late and I had to drive home.  Lotus didn't start until 9:45.  I was a little turned off by the Gabe Otto vocal guest spot and decided to peace out.  From that point I took the L train back to my car and stopped at Dunkin Donut in Morris on the way home.


I was born in the suburbs and lived there for ten years  I've always loved going into the city and feeling the energy.  With that said I don't need to live there.  I'm thankful that I get to enjoy the fun parts of the city without dealing with the bullshit that the living in Chicago entails. 

10/26/16 Widespread Panic @ Stephens Auditorium - Ames, IA

I saw this show the week after the Phish Nashville run.  I graduated from Iowa State University in August 2006.  This was the de facto 10 year reunion.  There aren't that many people that I still care about that live in Ames.  However, seeing some of this Widespread Panic show with Josh Tanke made the experience for me.  We enjoyed a lot of good times out there.  I picked up our buddy Nate in Coralville on the way and we met Josh at the show.  Also, I was glad to see Jesse and Luther Danneman and was able to offer my thoughts abouts Anna who recently passed away.  The Dannemans were good to me when I lived in Ames.  I worked a full day at IFSI and we barely made it to Stephens Auditorium in time for the show.  A blustery, overcast day made way for a chilly autumnal evening. I was sixth row on the Dave Schools side.  I should have bought the poster.  Upon arrival the guy next to me recognized me.  It was Brent a longtime fan who I met at Harmony Park 7/4/01.  I was impressed with his memory. 


The opening pair of instrumentals got the show going well.  This was a fairly old school first set and had several farming references which is to be expected at Iowa State University.  Glory is a track off Bombs and Butterflies I've always liked.  Aunt Avis reminded me of seeing Vic Chestnutt at the M-Shop in Ames.  I like that now with Jimmy Herring they play No Sugar Tonight/New Mother Nature a little more true to the original with the intro.  I saw a lot of the usual Iowa faces at setbreak out on the patio which was watched by police.  I liked that the PA music at setbreak included The Five Stairsteps "Ooh Child". 


It was an older crowd that's for sure.  With Widespread Panic going into semi-retirement this figured to be the final show at this great venue on our campus.  It was sad to think about that but my time has passed out there anyways.  I didn't see all that many people I knew.  Weight of the World and Pleas had great energy.  This show had a pretty nasty post Drums segment of Honky Red and the Vic Chestnutt Protein Drink/Sewing Machine.   "Momma makes my cape on a sewing machine".  Perfect for this pre-Halloween affair.  Let's Get the Show on the Road was appropriate with me heading back to the Illinois right after the show.  They generously kept the theme of Black Sabbath covers going with the debut of Warning.  Postshow music was Joe Walsh "Rocky Mountain Way" with the band heading west to Colorado.  This show wasn't mind blowing but it was a professional performance from a band that meant a lot to me when I was going to college.  Nate and I had a good time seeing Josh.  Panic may not be my favorite band anymore but John Bell will always worth the price of admission.